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For Christopher Lawrie the corrosive nature of salt provides an aesthetic and cultural metaphor for the attrition of memory and a colonial past. His installations of works on paper utilise historical artifacts to form contexts for contemporary readings of the past.. Hazelhurst Catalogue

 
1 2 3 4 5 6REFERENCE 7BEFORE History of Salt
 
 
   

GIRL WAITING 1983

 

   
 
 
 
     

THE WEBBER 1983

   
 
 
   

THE WALL 1984

 

   
 
 
 
 
 
 
 
 
 
 
 
 
     

 

   
 
 
 
 
           
 
 
 
     

 

 
 
 
 
     

 

 
 
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